Chronological
| Title | Date | Duration |
|---|---|---|
| Thrusts for trombone and piano |
1986 | 10' |
| Cattari Ariyasaccani four amplified voices SSTB |
1987 | 7' |
| Variations for flute, piano |
1987 | 8' |
Refrains for trombone and tape |
1988 | 9' |
| Movements for violin, cello, piano Winner, 1989 Yorkshire Arts International Young Composers Competition, Huddersfield Festival of Contemporary Music |
1989 | 13' |
| Four Choruses for trombone and wind octet Commissioned with funds from the Holst Foundation |
1990/1991 | 12' |
| Lines, Metamorphoses for solo violin Written for the 21st Dutch National Violin Competition; Awarded 1991 European Options Exchange Composition Prize for European Composers by The Concertgebouw, Amsterdam on behalf of the Oscar Back Scholarship Foundation |
1991 | 9' |
| Cassandra for female singer and tape Written with financial assistance from the Arts Council of Great Britain |
1991 | 16' |
| Louie's Grounded for string orchestra Commissioned by the Society for the Promotion of New Music; 1993/94 George Butterworth Award |
1992 | 13' |
| The Plague for soprano, basset-horn, soprano saxophone, viola, cello, double bass |
1993 | 6' |
| Changes orchestra (3 (3 pic),2+ca,2+bcl,2+cbsn 4,3,2+btbne,1 3perc, hp, pno 16,14,12,10,8) ISCM International Jury Selection 1996 | 1993 | 25' |
| A Muster of Tales for soprano, clarinet, viola, piano Commissioned with funds from Northern Arts |
1993/94 | 15' |
| From a still moment for amplified ensemble (bass-clarinet, alto-saxophone, viola, piano), Morpheus synthesiser, tape, live electronics. Commissioned by the Oxford Festival of Contemporary Music with funds from Southern Arts. |
1994 | 15' |
| A Room (John Cage) arr. for clarinet, cello, percussion | 1996 | 3' |
| Dances in the air for oboe & harp |
1996 | 17' |
| In accord, in motion for flute, clarinet, viola, cello, piano |
1997 | 7' |
| Memories of a fragmenting landscape for violin and harpsichord |
1998 | 6' |
| Shadowplay for bass flute, guitar and percussion Written at the request of Reinbert Evers |
1999 | 12' |
| Still, Suspended for piano Commissioned by Thalia Myers for ABRSM Spectrum 3 |
2000 | 2' |
| Contour for G-alto recorder and live electronics Commissioned by Thalia Myers for ABRSM Spectrum 3 |
2001 | 6' |
| Contour for e flat clarinet and live electronics | 2001 | 6' |
| Tracing Metamorphoses for string quartet and live electronics Commissioned for the Agora Festival 2002 |
2001/02 | 25' |
| Morpheus’s Dances for harpsichord |
2002 | 7' |
| Berceuse for piano Commissioned by Thalia Myers for ABRSM Spectrum 4 |
2003 | 1' |
| Chants, airs and dances for alto recorder and live electronics Commissioned by Helge Stiegler |
2004/05 | 9' |
| Chants, airs and dances for alto flute and live electronics |
2005/06 | 9' |
| Upon Convergence for solo clarinet |
2006 | 9' |
| Breath across autumnal ground for harpsichord and live electronics |
2006/07 | 8' |
| "...that we two must be twain," for clarinet and violin Commissioned by Erik Carlson, 2007 |
2007 | 2' |
| Ausruf for trumpet and live electronics |
2007/08 | 10' |
| Penumbra for bass-clarinet and live electronics |
2007/08 | 10' |
| 6 Bagatelles for piano |
2010 | 8' |
| Early Works – pre 1986 | ||
| Reflexiones for piano and ensemble (3 fl, 2 ob, ca, 2 cl, bcl, 2 tr, 3 hrn, 3 trb, btrb, tb) |
1985 | 20' |
| Shalom choir SATB |
1984 | 5' |
| Nocturnes for soprano and ensemble (alt fl, alt trb, 3 ten trb, vib, 2 perc, 4 vln) |
1984 | 10' |
| Aleatrope clarinet, alto saxophone, cello, electric guitar, piano, percussion |
1983 | 9' |
